{"id":109525,"date":"2023-02-26T15:56:05","date_gmt":"2023-02-26T15:56:05","guid":{"rendered":"https:\/\/websitedesigns.com.au\/elankanew\/?p=109525"},"modified":"2023-02-26T15:57:00","modified_gmt":"2023-02-26T15:57:00","slug":"inov-rijksmuseum-show-vermeer-every-single-work","status":"publish","type":"post","link":"https:\/\/websitedesigns.com.au\/elankanew\/inov-rijksmuseum-show-vermeer-every-single-work\/","title":{"rendered":"[Inov] Rijksmuseum-show: Vermeer-every-single-work"},"content":{"rendered":"<h2 class=\"article-title h1\" style=\"text-align: center;\"><span style=\"color: #000000;\">In Pictures: See Every Single Artwork in the Rijksmuseum\u2019s Vermeer Show, a Once-in-a-Lifetime Exhibition That Is Already Sold Out<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Here is an up-close and complete look at the Rijksmuseum&#8217;s once-in-a-lifetime show dedicated to the Dutch Master.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255&quot;&quot;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Vermeer-Installatie-3-1-1024x683.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Source:<\/strong><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener noreferrer\">News.artnet<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The hotly anticipated blockbuster of Johannes Vermeer, which reunites 28 out of 37 known paintings by the mysterious 17th-century Dutch master, has finally opened.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">But despite the Rijksmuseum\u2019s to ensure that this\u00a0<a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/rijksmuseums-vermeer-exhibition-2252482\" target=\"_blank\" rel=\"noopener\">once-in-a-lifetime exhibition<\/a> can accommodate as many visitors as possible, many art lovers have been left disappointed. Within a matter of days after the opening, all available tickets were sold out. Before \u201cVermeer\u201d opened to the public on February 10, the museum already sold more than 200,000 tickets and had extended its opening hours to 10 p.m. on Thursdays to Saturdays and also extended the running time of the show.<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Some Vermeer enthusiasts vented their frustration on\u00a0<a style=\"color: #000000;\" href=\"https:\/\/twitter.com\/rijksmuseum\/status\/1624774329094361090?s=20\" target=\"_blank\" rel=\"noopener\">social media<\/a>. The Rijksmuseum reacted to public\u2019s overwhelming response promptly by squeezing out more tickets after the opening \u201cwithout affecting the experience we wish our visitors to have,\u201d a museum spokesperson told Artnet News.\u00a0The second round of tickets released is now also sold-out. \u201c[The] Rijksmuseum will continue to monitor our audience pattern carefully\u2014and make necessary adjustments when possible to enable as many visitors to see the exhibition as possible,\u201d the museum spokesperson added.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Given that chances of getting tickets to the show are slim, we are bringing you a walkthrough of the exhibition, including every single artwork featured.<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Venturing into Town<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Vermeer was born, raised, and died in\u00a0<a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-exhibition-amsterdam-delft-2254119\" target=\"_blank\" rel=\"noopener\">Delft<\/a>. Two paintings depicting the scenes of his hometown are featured in this section.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Mauritshuis-Gezicht-op-Delft-1536x1283.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Johannes Vermeer, View of Delft (1660-61), oil on canvas. Mauritshuis, The Hague.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Straatje-Vermeer-1249x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Johannes Vermeer, View of Houses in Delft, also known as The Little Street (1658-59) oil on canvas. Rijksmuseum, Amsterdam. Gift of H.W.A. Deterding, London.<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Early Ambitions<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">This section features four large paintings that are Vermeer\u2019s earliest known works, executed in the artist\u2019s early 20s. Vermeer was born into the times of religious conflicts. A Reformed Protestant by birth, the artist married Catharina Bolnes, a Catholic. The religious themes play a dominant role in works created during this period.\u00a0<em>The Procuress<\/em>\u00a0(1656), however, marks a turning point of Vermeer\u2019s ambition as a painter, as he later chose to focus on capturing everyday life in his works.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Vermeer-Tentoonstelling-Pers-1-1536x1220.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Christ in the House of Mary and Martha, Johannes Vermeer, ca. 1655. National Gallery of Scotland, Edinburgh.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.09.40-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Diana and her Companions, Johannes Vermeer, c. 1653-1654. Mauritshuis, Den Haag.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.11.50-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Saint Praxedis, Johannes Vermeer, ca. 1655. National Museum of Western Art, Tokyo.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.14.21-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The Procuress, Johannes Vermeer, ca. 1656. Gem\u00e4ldegalerie Alte Meister, Dresden.<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>First Interiors<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The two paintings featured in this section depict what seems to be the mundane, everyday life, but art historians suggest that these two paintings illustrate how Vermeer mastered his skill in portraying a pictorial space on a flat surface, creating depth and composition with a single vanishing point.<\/span><\/p>\n<div class=\"embedded-ad \" style=\"text-align: justify;\"><\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Dresden_brieflezend_meisje_bij_venster_Gal.-Nr.-1336-1197x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Girl Reading a Letter at an Open Window, Johannes Vermeer, 1657-58, oil on canvas. Gem\u00e4ldegalerie Alte Meister, Dresden.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/SK-A-2344-Het-melkmeisje-Johannes-Vermeer-ca.-1660-1363x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">The Milkmaid, Johannes Vermeer, 1658-59, oil on canvas. Rijksmuseum, Amsterdam. Purchased with the support of the Vereniging Rembrandt.<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Gazing Out<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">This section identifies three works related to the windows, exploring how the inner world is connected to that of the outside, by either opening the windows or having someone looking out the window.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Soldaat-en-lachend-meisje-Vermeer-1409x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">Officer and Laughing Girl, Johannes Vermeer, 1657-58, oil on canvas. The Frick Collection, New York. Photo: Joseph Coscia Jr.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.32.35-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Woman with a Lute, Johannes Vermeer, ca. 1662-63. The Metropolitan Museum of Art, New York City.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.35.48-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Lady Writing with Her Maid, Johannes Vermeer, ca. 1670-1671. National Gallery of Ireland, Dublin.<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Up Close<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Is she looking at you or not? This group of paintings depicts women with mysterious gazes. But not everyone of them is engaging with the viewer.\u00a0<em>The Lacemaker<\/em>, for example, keeps her head down on her work, but Vermeer brought the viewer so close to her that we can see the threads in her hands.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">This section also includes the controversial\u00a0<em>Girl with a Flute<\/em>, which has caused a\u00a0<a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/we-differ-in-view-a-painting-recently-downgraded-by-the-national-gallery-will-be-displayed-as-a-vermeer-at-the-rijksmuseum-anyway-2202959\" target=\"_blank\" rel=\"noopener\">debate<\/a>\u00a0on whether it was a genuine work of Vermeer.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.43.48-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Girl with a Flute, Johannes Vermeer, ca. 1669-1675. National Gallery of Art, Washington D.C.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Johannes-Vermeer-Meisje-met-de-parel-1665.-Mauritshuis-Den-Haag-1297x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Girl with a Pearl Earring, 1664\u201367, oil on canvas. Mauritshuis, The Hague. Bequest of Arnoldus Andries des Tombe, The Hague.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Kantwerkster-Verrmeer-1340x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The Lacemaker, Johannes Vermeer, 1666\u201368, oil on canvas mounted on panel. Mus\u00e9e du Louvre, Paris.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Vermeer-Tentoonstelling-Pers-13-1536x1097.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Girl with a Red Hat, Johannes Vermeer, ca. 1665. National Gallery of Art, Washington D.C. \u2018Vermeer\u2019 exhibition. Photo Rijksmuseum\/ Henk Wildschut.<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Musical Appeal<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Music has a strong presence in Vermeer\u2019s modest oeuvre, as highlighted in this section. Curiously, the women in both paintings are looking at the viewer, as if their music-making was interrupted.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.54.51-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">Young Woman Seated at a Virginal, Johannes Vermeer, ca. 1670-1672. Leiden Collection, New York.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-10.54.51-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">Young Woman Seated at a Virginal, Johannes Vermeer, ca. 1670-1672. Leiden Collection, New York.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Staande-Virginaalspeelster-Vermeer-1494x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">A Young Woman standing at a Virginal, Johannes Vermeer, 1670\u201372, oil on canvas. The National Gallery, London<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Letters From the Outside World<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Widely seen as one of the most intriguing paintings by Vermeer,\u00a0<em>The Love Letter<\/em>\u00a0maintains a distance between the two women and the viewer, who is positioned as if taking a peep from an adjacent room. The women\u2019s subtle yet dramatic facial expressions against the backdrop of the painting of the seascape on the wall, suggest a story behind the letter in the hands of the lady in the yellow robe.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Besides music, letters like a supporting character in Vermeer\u2019s paintings. Characters are often depicted writing, reading, or receiving letters, suggesting life beyond the painting.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-11.01.26-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The Love Letter, Johannes Vermeer, ca. 1669 \u2013 ca. 1670. Rijksmuseum, Amsterdam.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Brieflezende-vrouw-Johannes-Vermeer-SK-C-251-1-1281x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Woman in Blue Reading a Letter, Johannes Vermeer, 1662-64, oil on canvas. Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Dame-en-dienstmeid-Vermeer-1339x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Mistress and Maid, Johannes Vermeer, c. 1665-67, oil on canvas. The Frick Collection, New York. Photo: Joseph Coscia Jr.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Schrijvende-vrouw-in-het-geel-Vermeer-1348x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">A Lady Writing, Johannes Vermeer, 1664-67, oil on canvas. National Gallery of Art, Washington. Gift of Harry Waldron Havemeyer and Horace Havemeyer Jr., in memory of their father, Horace Havemeyer<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Gentlemen Callers<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The gentlemen in Vermeer\u2019s paintings have a curious role to play, as seen in these two paintings below. Still donning a cloak or a cape, these men appear to have just entered the room from the outside, interrupting whatever the women are doing, whether playing the music or taking a sip of wine.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Onderbreking-van-de-muziek-Vermeer-1536x1362.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">Girl Interrupted at Her Music, Johannes Vermeer,. 1659\u201361, oil on canvas. The Frick Collection. New York. Photo: Joseph Coscia Jr<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Het-glas-wijn_edited_Vermeer-1536x1331.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">The Glass of Wine, Johannes Vermeer, c. 1659-61, oil on canvas. Staatliche Museen zu Berlin \u2013 Gem\u00e4ldegalerie<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>View of the World<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Science is a key subject in Vermeer\u2019s paintings, as seen in\u00a0<em>The Geographer<\/em>. Another similar one is\u00a0<em>The Astronomer<\/em>, which is in the collection of Louvre but not in this show in Amsterdam. Maps frequently recur.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Frankfurt_1149-johannes_vermeer-geographer-1669-1373x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">The Geographer, Johannes Vermeer, 1669, oil on canvas. St\u00e4del Museum, Frankfurt am Main<\/span><\/p>\n<h4 style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><strong>Reflecting on Vanity and Faith<\/strong><\/span><\/h4>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">This last section of the exhibition looks into the symbols presented in three particular paintings that may suggest Vermeer\u2019s views of the world he lived in the, and the reflection of his inner struggles in relation to his faith and monetary values.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Vermeer-Vrouw-met-parelsnoer.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><br \/>\n<span style=\"font-size: 16px; color: #000000;\">Woman with a Pearl Necklace, Johannes Vermeer, (c. 1662-64), oil on canvas. Staatliche Museen zu Berlin \u2013 Gem\u00e4ldegalerie.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Vrouw-met-weegschaal-Johannes-Vermeer-ca.-1664.-National-Museum-of-Art-Washington-Widener-Collection-1362x1536.jpg\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Woman Holding a Balance, Johannes Vermeer, c. 1662-64, oil on canvas. National Gallery of Art, Washington, Widener Collection<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/news.artnet.com\/art-world\/vermeer-every-single-work-sold-out-rijksmuseum-show-2256255\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-49618 size-full\" src=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/02\/Screen-Shot-2023-02-21-at-11.29.16-AM.png\" alt=\"elanka\" width=\"600\" height=\"341\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px; color: #000000;\">Allegory of Faith, Johannes Vermeer, ca. 1670-1674. Metropolitan Museum of Art, New York<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Pictures: See Every Single Artwork in the Rijksmuseum\u2019s Vermeer Show, a Once-in-a-Lifetime Exhibition That Is Already Sold Out Here is an up-close and complete look at the Rijksmuseum&#8217;s once-in-a-lifetime show dedicated to the Dutch Master. Source:News.artnet The hotly anticipated blockbuster of Johannes Vermeer, which reunites 28 out of 37 known paintings by the mysterious [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":109526,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[20],"tags":[51437,51439,51438],"class_list":{"0":"post-109525","1":"post","2":"type-post","3":"status-publish","4":"format-aside","5":"has-post-thumbnail","7":"category-articles","8":"tag-johannes-vermeer","9":"tag-metropolitan-museum-of-art","10":"tag-widener-collection","11":"post_format-post-format-aside"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.7.1 (Yoast SEO v25.9) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>[Inov] Rijksmuseum-show: Vermeer-every-single-work<\/title>\n<meta name=\"description\" content=\"The hotly anticipated blockbuster of Johannes Vermeer, which reunites 28 out of 37 known 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