{"id":116397,"date":"2023-06-19T10:50:25","date_gmt":"2023-06-19T10:50:25","guid":{"rendered":"https:\/\/websitedesigns.com.au\/elankanew\/?p=116397"},"modified":"2023-07-03T09:43:57","modified_gmt":"2023-07-03T09:43:57","slug":"the-therapeutic-value-of-sinhala-semi-classical-songs-by-shasthrapathi-sangeeth-nipun-rupashika-ranathunga","status":"publish","type":"post","link":"https:\/\/websitedesigns.com.au\/elankanew\/the-therapeutic-value-of-sinhala-semi-classical-songs-by-shasthrapathi-sangeeth-nipun-rupashika-ranathunga\/","title":{"rendered":"The Therapeutic Value of Sinhala Semi Classical Songs – By Shasthrapathi Sangeeth Nipun Rupashika Ranathunga"},"content":{"rendered":"

The Therapeutic Value of Sinhala Semi Classical Songs – By Shasthrapathi Sangeeth Nipun Rupashika Ranathunga<\/span><\/strong><\/span><\/h2>\n

We have listened to numerous light songs broadcasted on radio. Some of them have been composed based on Hindustani music. We have quite often witnessed such music containing embellishments such as cadential trills which are visible in Khayal songs. Such songs are known as semi classical songs. Furthermore, many a song composed based on the raagas have been quite popular in Sri Lanka. In some of them, the raaga elements are very much visible and they are present all through the song. In certain songs, only its bases include raaga elements. Apart from that, there are certain other songs composed using a reflection of raagas.<\/span><\/p>\n

Accordingly, semi classical songs could be categorized as follows:<\/span><\/p>\n

    \n
  1. Songs firmly based on raaga forms<\/span><\/li>\n
  2. Songs slightly mixed with raaga forms<\/span><\/li>\n
  3. Songs with a touch of raaga<\/span><\/li>\n<\/ol>\n

    (Sinhala Geethaye Ragadhari Pasubima<\/em> \u2013 B. Victor Perera, 1999)<\/span><\/p>\n

    Let us now discuss the song \u2018Sendha Ahase Irata Muvaven\u2019 sung by Professor Dayarathna Ratathunga which is strongly based on Raag forms. This song, written by the well-known lyricist Doctor Sunil Sarath Perera and composed by Professor Dayarathna Ranathunga, is greatly relied on the Yaman Kalyan Raaga, and it speaks of the evening time of the day.<\/span><\/p>\n

    \u201cSendha Ahase Irata Muvaven kaalaya kavulu dhorin miya yanawa \u2026\u2026\u2026<\/span><\/p>\n

    Sendha Ahase \u2026\u2026.. \u201c<\/span><\/p>\n

    (\u201cThe time dies away through the window by hiding from the sun in the evening sky \u2026\u2026..<\/span><\/p>\n

    In the evening sky \u2026\u2026\u2026..\u201d)<\/span><\/p>\n

    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The best time to sing the Yaman Kalyan Raaga is the evening. In fact, every Hindustani Raaga has a specific time to be sung, since the particular raaga can then excite the relevant emotions of the singer. It has been proven that the sound waves released through musical notes are strongly effective on the surrounding atmosphere as well as the physical body of people. The most suitable time considered for the Yaman Kalyan Raaga to be sung is from 4 \u2013 7pm. The Yaman Kalyan Raaga \u00a0which should be chanted during the time of the sunset has well suited the lyrics of the song in discussion and the relevant musical notes have further beautified the song.<\/span><\/p>\n

    \u201cEtha atheethen piyawara nagamin \u2026.. kana wela allan kawudho enawa \u2026\u2026\u2026..<\/span><\/p>\n

    Balaporoththuwa layata thurulu wee \u2026\u2026. ea ena pera maga bala sitinawa \u2026\u2026..\u201d<\/span><\/p>\n

    (\u201cSomeone from the past is coming holding a walking stick \u2026\u2026\u2026 \u00a0\u00a0<\/span><\/p>\n

    Holding on to expectations, he waits for her staring at the road \u2026\u2026.\u201d)<\/span><\/p>\n

    \"Professor<\/p>\n

    When the lyrics of a certain song aim at making the listener feel the current of emotions of a lonely heart or a memory from the past, and when it is done so by combining that particular song with the amalgamation of the intensive and pure madhyams of the musical notations of the Yaman Kalyan Raaga, it becomes further close to the heart of the listener.<\/span><\/p>\n

    According to raag therapy, among the raagas used in reducing emotional pressure, the Yaman Kalyan Raaga \u00a0holds a special place.<\/span><\/p>\n

    While being occupied in various daily chores, the human mind faces numerous issues and this leads to developing emotional pressure. What people mostly tend to forget is that such mental pressure could be the root cause of many physical ailments. To minimize this pressure, at the end of the day, one could be engaged in may activities such as listening to music, yoga, meditating or exercising.<\/span><\/p>\n

    Studies have proved that raaga therapy is capable of developing various chemical processes that occur in the human brain and creating a positive effect on the mind as well as the body. Accordingly, music is favourable for all activities that take place in the brain. When raaga music cannot be utilized directly, songs mixed with raagas could be used as music therapy. The song \u2018Sendha Ahase\u2019 excites one\u2019s mind with the likeness of a silent environment and also peaceful, relaxing and erotic feelings. Therefore, it is most suitable to daily listen to and\/or sing such songs in order to minimize mental pressure.<\/span><\/p>\n

    \"Shasthrapathi<\/p>\n

    Written by: Shasthrapathi Sangeeth Nipun Rupashika Ranathunga<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

    The Therapeutic Value of Sinhala Semi Classical Songs – By Shasthrapathi Sangeeth Nipun Rupashika Ranathunga We have listened to numerous light songs broadcasted on radio. Some of them have been composed based on Hindustani music. We have quite often witnessed such music containing embellishments such as cadential trills which are visible in Khayal songs. Such […]<\/p>\n","protected":false},"author":3,"featured_media":116399,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[20],"tags":[53468,53466,53046,53467,52652,53469,37072,5576],"class_list":{"0":"post-116397","1":"post","2":"type-post","3":"status-publish","4":"format-aside","5":"has-post-thumbnail","7":"category-articles","8":"tag-dayarathna-ranathunga","9":"tag-hindustani-music","10":"tag-music-therapy","11":"tag-raaga","12":"tag-rupashika-ranatunga","13":"tag-sinhala-semi-classical-songs","14":"tag-songs","15":"tag-sunil-sarath-perera","16":"post_format-post-format-aside"},"yoast_head":"\nThe Therapeutic Value of Sinhala Semi Classical Songs - By Shasthrapathi Sangeeth Nipun Rupashika Ranathunga - eLanka<\/title>\n<meta name=\"description\" content=\"The Therapeutic Value of Sinhala Semi Classical Songs We have listened to numerous light songs broadcasted on radio. 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