{"id":156394,"date":"2025-08-04T10:08:16","date_gmt":"2025-08-04T10:08:16","guid":{"rendered":"https:\/\/websitedesigns.com.au\/elankanew\/?p=156394"},"modified":"2025-08-04T10:08:16","modified_gmt":"2025-08-04T10:08:16","slug":"the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne","status":"publish","type":"post","link":"https:\/\/websitedesigns.com.au\/elankanew\/the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne\/","title":{"rendered":"THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva – By Surein de Silva Wijeyeratne"},"content":{"rendered":"

THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva – By Surein de Silva Wijeyeratne<\/strong><\/span><\/h2>\n

\"Kala<\/p>\n

When I first met Jerome over 30 years ago at St. Peter\u2019s College, he was already a legend\u2014famous, formidable, and a little\u2026 mad. His pirate beard, impeccable English, commanding voice, and eccentric style made him seem like a character straight out of a play.<\/span><\/p>\n

Fast forward three decades, and I can honestly say: Jerome has shaped Sri Lanka\u2019s theatre in ways few can match. From that first humble workshop in 1992, the man behind The Workshop Players has turned our theatre scene into a vibrant, creative hub that reaches across the country\u2014not just at the Lionel Wendt, but in halls and schools everywhere.<\/span><\/p>\n

But what makes him truly unique? It\u2019s his methods\u2014a mix of relentless learning, meticulous planning, unwavering discipline, and deep-rooted faith.<\/span><\/p>\n

\"Kala
\nEarly Life & Inspiration:<\/strong><\/span>
\nBorn on November 1, 1951, in Sri Lanka, Jerome was the last of six children to Etta Anna Bianca de Silva and Captain G. H. de Silva. His journey into theatre began during his school days. He studied at St. Joseph\u2019s College, Colombo 10, from 1957 to 1969, then transferred to St. Peter\u2019s College, Colombo 4, where he studied from 1969 to 1971.<\/span><\/p>\n

His first brush with performing arts was in 1970, when he transferred to St. Peter\u2019s College and joined the school choir under Rev. Fr. Claver Perera. That same year, he took part in the chorus line for Wendy Whatmore\u2019s production of Boyfriend, sparking his passion for theatre. This opened doors to working with Mrs. Oosha Saravanamuttu Wijesinghe and Mrs. Ena Heynnecker, who nurtured his talents and encouraged his artistic journey.<\/span><\/p>\n

\"Kala<\/p>\n

Global Recognition & Artistic Growth:<\/strong><\/span>
\nIn September 1996, Jerome became a fellow at the Salzburg Seminar in Austria, selected from nominations across North Africa, Middle East, and South Asia. He attended session 340\u2014”The Power of Theatre, Artistry, Entertainment, Social Commentary”\u2014learning from legendary course faculty such as Arthur Miller, Ariel Dorfman, Andre Brink, David Thacker, Benedict Nightingale, and Christopher Bigsby.<\/span><\/p>\n

His time in Salzburg included master classes with actors from the Royal National Theatre, where he deepened his craft in acting and direction.<\/span><\/p>\n

\"Kala<\/p>\n

The Highest Honour & Legacy:<\/strong><\/span>
\nIn 2019, Jerome was awarded the Kala Keerthi, the highest national honour for the arts in Sri Lanka. Notably, he is the first individual from the English theatre scene to receive this recognition a testament to his unparalleled contribution to the arts in Sri Lanka.<\/span><\/p>\n

Always Learning, From Everyone Jerome\u2019s hunger for knowledge is endless. Despite over 75 productions and decades of experience, he keeps seeking new insights\u2014reading voraciously, listening to others, inviting experts from all walks of life. His curiosity and humility are his true strengths.<\/span><\/p>\n

\"Kala<\/p>\n

Divide & Conquer:<\/strong><\/span>
\nHe used to oversee every detail himself\u2014acting, directing, designing, managing. Now, responsibility is shared with skilled team members, ensuring each production runs seamlessly. Jerome invests in building a team of talented individuals, giving them the freedom to excel.<\/span><\/p>\n

Perfecting the Flow:<\/strong><\/span>
\nScene changes are often the Achilles\u2019 heel of amateur theatre. Not with Jerome. Every transition is carefully planned, directed, and rehearsed\u2014sometimes over and over\u2014so that the audience remains captivated, phones stay off, and magic is preserved.<\/span><\/p>\n

Big Casts, Big Opportunities:<\/strong><\/span>
\nHis philosophy? Give everyone a chance. Back in 1992, he believed in rotating casts to help newcomers gain experience. Today, his large cast approach fosters discipline, teamwork, and a sense of collective achievement\u2014because in his theatre, no one is irreplaceable if they don\u2019t show up.<\/span><\/p>\n

Rules & Rituals \u2014 The Madness Part<\/strong><\/span>
\nEver wonder why the front seats are kept empty? That\u2019s Jerome\u2019s way of ensuring every sightline is perfect. His rituals\u2014like the \u2018handover\u2019 at the end of rehearsals to the Stage Manager\u2014mark a professionalism that\u2019s become his signature. Rehearsals are relentless, often till dawn, because he believes there\u2019s no substitution for hard work.<\/span><\/p>\n

\"Kala<\/p>\n

Preparation & Flexibility:<\/strong><\/span>
\nHis notes are detailed, but come showtime, almost everything changes. That\u2019s part of his mastery\u2014visualizing the big picture while remaining adaptable. A false fire alarm, a broken set, or an off-mic won\u2019t stop him.<\/span><\/p>\n

Faith & Inspiration:<\/strong><\/span>
\nDeeply spiritual, Jerome always includes prayer before and after performances\u2014regardless of faith. This spiritual strength fuels his work and inspires everyone around him, making theatre not just an art, but a sacred journey.<\/span><\/p>\n

His advice remains timeless: Keep learning, stay disciplined, have faith\u2014and never stop dreaming.<\/span>
\nA Living Legend on Stage & Off With over 50 years of stage presence, Jerome\u2019s commanding performance and character immersion set him apart. Many of Sri Lanka\u2019s top directors and actors started under his guidance. His legacy is cemented in workshops, mentorship, and unforgettable productions like The Phantom of the Opera, Jesus Christ Superstar, Evita, Les Mis\u00e9rables, Cats, and more.<\/span><\/p>\n

When finally, the time comes for the pantheon of demi-gods of the Sri Lankan Arts have their names etched in marble somewhere, along with those of Lester James Peiris, Chitrasena, Lylie Godridge, Lionel Wendt and George Keyt, you will find the name of Kalakeerthi Jerome L. De Silva.<\/span>
\nEven if I have to put it up there myself.<\/span><\/p>\n

 <\/p>\n

Click here to receive your free copy of the eLanka Newsletter twice a week delivered directly\u00a0to\u00a0your\u00a0inbox!<\/strong><\/a><\/em><\/span><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva – By Surein de Silva Wijeyeratne When I first met Jerome over 30 years ago at St. Peter\u2019s College, he was already a legend\u2014famous, formidable, and a little\u2026 mad. His pirate beard, impeccable English, commanding […]<\/p>\n","protected":false},"author":3,"featured_media":156399,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[20],"tags":[81041,40279,81042],"class_list":{"0":"post-156394","1":"post","2":"type-post","3":"status-publish","4":"format-aside","5":"has-post-thumbnail","7":"category-articles","8":"tag-kala-keerthi-jerome-l-de-silva","9":"tag-rev-fr-claver-perera","10":"tag-sri-lankas-theatre-maestro","11":"post_format-post-format-aside"},"yoast_head":"\nKala Keerthi Jerome L De Silva(<\/title>\n<meta name=\"description\" content=\"THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva(By\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva - By Surein de Silva Wijeyeratne\" \/>\n<meta property=\"og:description\" content=\"THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva(By\" \/>\n<meta property=\"og:url\" content=\"https:\/\/websitedesigns.com.au\/elankanew\/the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne\/\" \/>\n<meta property=\"og:site_name\" content=\"eLanka\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/eLanka.com.au\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-04T10:08:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/websitedesigns.com.au\/elankanew\/wp-content\/uploads\/2025\/08\/Kala-Keerthi-Jerome-L-De-Silva-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"899\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"eLanka admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"eLanka admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/websitedesigns.com.au\/elankanew\/the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/websitedesigns.com.au\/elankanew\/the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne\/\"},\"author\":{\"name\":\"eLanka admin\",\"@id\":\"https:\/\/websitedesigns.com.au\/elankanew\/#\/schema\/person\/f6e635b74ab35ef88a68a9973cacc5bd\"},\"headline\":\"THE METHODS AND MADNESS OF THE MASTER A perspective on Sri Lanka\u2019s theatre maestro: Kala Keerthi Jerome L De Silva – By Surein de Silva Wijeyeratne\",\"datePublished\":\"2025-08-04T10:08:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/websitedesigns.com.au\/elankanew\/the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne\/\"},\"wordCount\":916,\"publisher\":{\"@id\":\"https:\/\/websitedesigns.com.au\/elankanew\/#organization\"},\"image\":{\"@id\":\"https:\/\/websitedesigns.com.au\/elankanew\/the-methods-and-madness-of-the-master-a-perspective-on-sri-lankas-theatre-maestro-kala-keerthi-jerome-l-de-silva-by-surein-de-silva-wijeyeratne\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/websitedesigns.com.au\/elankanew\/wp-content\/uploads\/2025\/08\/Kala-Keerthi-Jerome-L-De-Silva-3.jpg\",\"keywords\":[\"Kala Keerthi Jerome L De Silva\",\"Rev. 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